Improved tactile frequency discrimination in musicians.
Identifieur interne : 000539 ( Main/Exploration ); précédent : 000538; suivant : 000540Improved tactile frequency discrimination in musicians.
Auteurs : Andréanne Sharp [Canada] ; M S Houde [Canada] ; M. Maheu [Canada] ; I. Ibrahim [Canada] ; F. Champoux [Canada]Source :
- Experimental brain research [ 1432-1106 ] ; 2019.
Descripteurs français
- KwdFr :
- MESH :
English descriptors
- KwdEn :
- Adult (MeSH), Auditory Perception (physiology), Auditory Threshold (physiology), Discrimination, Psychological (physiology), Female (MeSH), Humans (MeSH), Male (MeSH), Middle Aged (MeSH), Music (MeSH), Neuronal Plasticity (physiology), Sensory Thresholds (physiology), Touch Perception (physiology), Young Adult (MeSH).
- MESH :
Abstract
Music practice is a multisensory training that is of great interest to neuroscientists because of its implications for neural plasticity. Music-related modulation of sensory systems has been observed in neuroimaging data, and has been supported by results in behavioral tasks. Some studies have shown that musicians react faster than non-musicians to visual, tactile and auditory stimuli. Behavioral enhancement in more complex tasks has received considerably less attention in musicians. This study aims to investigate unisensory and multisensory discrimination capabilities in musicians. More specifically, the goal of this study is to examine auditory, tactile and auditory-tactile discrimination in musicians. The literature suggesting better auditory and auditory-tactile discrimination in musicians is scarce, and no study to date has examined pure tactile discrimination capabilities in musicians. A two-alternative forced-choice frequency discrimination task was used in this experiment. The task was inspired by musical production, and participants were asked to identify whether a frequency was the same as or different than a standard stimulus of 160 Hz in three conditions: auditory only, auditory-tactile only and tactile only. Three waveforms were used to replicate the variability of pitch that can be found in music. Stimuli were presented through headphones for auditory stimulation and a glove with haptic audio exciters for tactile stimulation. Results suggest that musicians have lower discrimination thresholds than non-musicians for auditory-only and auditory-tactile conditions for all waveforms. The results also revealed that musicians have lower discrimination thresholds than non-musicians in the tactile condition for sine and square waveforms. Taken together, these results support the hypothesis that musical training can lead to better unisensory tactile discrimination which is in itself a new and major finding.
DOI: 10.1007/s00221-019-05532-z
PubMed: 30927044
Affiliations:
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Maheu</name><affiliation wicri:level="1"><nlm:affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada.</nlm:affiliation><country xml:lang="fr">Canada</country><wicri:regionArea>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC</wicri:regionArea><wicri:noRegion>QC</wicri:noRegion></affiliation></author><author><name sortKey="Ibrahim, I" sort="Ibrahim, I" uniqKey="Ibrahim I" first="I" last="Ibrahim">I. 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Champoux</name><affiliation wicri:level="1"><nlm:affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada.</nlm:affiliation><country xml:lang="fr">Canada</country><wicri:regionArea>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC</wicri:regionArea><wicri:noRegion>QC</wicri:noRegion></affiliation></author></analytic><series><title level="j">Experimental brain research</title><idno type="eISSN">1432-1106</idno><imprint><date when="2019" type="published">2019</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Adult (MeSH)</term><term>Auditory Perception (physiology)</term><term>Auditory Threshold (physiology)</term><term>Discrimination, Psychological (physiology)</term><term>Female (MeSH)</term><term>Humans (MeSH)</term><term>Male (MeSH)</term><term>Middle Aged (MeSH)</term><term>Music (MeSH)</term><term>Neuronal Plasticity (physiology)</term><term>Sensory Thresholds (physiology)</term><term>Touch Perception (physiology)</term><term>Young Adult (MeSH)</term></keywords><keywords scheme="KwdFr" xml:lang="fr"><term>Adulte (MeSH)</term><term>Adulte d'âge moyen (MeSH)</term><term>Femelle (MeSH)</term><term>Humains (MeSH)</term><term>Jeune adulte (MeSH)</term><term>Musique (MeSH)</term><term>Mâle (MeSH)</term><term>Perception auditive (physiologie)</term><term>Perception du toucher (physiologie)</term><term>Plasticité neuronale (physiologie)</term><term>Seuil auditif (physiologie)</term><term>Seuils sensoriels (physiologie)</term></keywords><keywords scheme="MESH" qualifier="physiologie" xml:lang="fr"><term>Perception auditive</term><term>Perception du toucher</term><term>Plasticité neuronale</term><term>Seuil auditif</term><term>Seuils sensoriels</term></keywords><keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Auditory Perception</term><term>Auditory Threshold</term><term>Discrimination, Psychological</term><term>Neuronal Plasticity</term><term>Sensory Thresholds</term><term>Touch Perception</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Adult</term><term>Female</term><term>Humans</term><term>Male</term><term>Middle Aged</term><term>Music</term><term>Young Adult</term></keywords><keywords scheme="MESH" xml:lang="fr"><term>Adulte</term><term>Adulte d'âge moyen</term><term>Femelle</term><term>Humains</term><term>Jeune adulte</term><term>Musique</term><term>Mâle</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Music practice is a multisensory training that is of great interest to neuroscientists because of its implications for neural plasticity. Music-related modulation of sensory systems has been observed in neuroimaging data, and has been supported by results in behavioral tasks. Some studies have shown that musicians react faster than non-musicians to visual, tactile and auditory stimuli. Behavioral enhancement in more complex tasks has received considerably less attention in musicians. This study aims to investigate unisensory and multisensory discrimination capabilities in musicians. More specifically, the goal of this study is to examine auditory, tactile and auditory-tactile discrimination in musicians. The literature suggesting better auditory and auditory-tactile discrimination in musicians is scarce, and no study to date has examined pure tactile discrimination capabilities in musicians. A two-alternative forced-choice frequency discrimination task was used in this experiment. The task was inspired by musical production, and participants were asked to identify whether a frequency was the same as or different than a standard stimulus of 160 Hz in three conditions: auditory only, auditory-tactile only and tactile only. Three waveforms were used to replicate the variability of pitch that can be found in music. Stimuli were presented through headphones for auditory stimulation and a glove with haptic audio exciters for tactile stimulation. Results suggest that musicians have lower discrimination thresholds than non-musicians for auditory-only and auditory-tactile conditions for all waveforms. The results also revealed that musicians have lower discrimination thresholds than non-musicians in the tactile condition for sine and square waveforms. Taken together, these results support the hypothesis that musical training can lead to better unisensory tactile discrimination which is in itself a new and major finding.</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">30927044</PMID><DateCompleted><Year>2019</Year><Month>12</Month><Day>06</Day></DateCompleted><DateRevised><Year>2020</Year><Month>02</Month><Day>25</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1432-1106</ISSN><JournalIssue CitedMedium="Internet"><Volume>237</Volume><Issue>6</Issue><PubDate><Year>2019</Year><Month>Jun</Month></PubDate></JournalIssue><Title>Experimental brain research</Title><ISOAbbreviation>Exp Brain Res</ISOAbbreviation></Journal><ArticleTitle>Improved tactile frequency discrimination in musicians.</ArticleTitle><Pagination><MedlinePgn>1575-1580</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1007/s00221-019-05532-z</ELocationID><Abstract><AbstractText>Music practice is a multisensory training that is of great interest to neuroscientists because of its implications for neural plasticity. Music-related modulation of sensory systems has been observed in neuroimaging data, and has been supported by results in behavioral tasks. Some studies have shown that musicians react faster than non-musicians to visual, tactile and auditory stimuli. Behavioral enhancement in more complex tasks has received considerably less attention in musicians. This study aims to investigate unisensory and multisensory discrimination capabilities in musicians. More specifically, the goal of this study is to examine auditory, tactile and auditory-tactile discrimination in musicians. The literature suggesting better auditory and auditory-tactile discrimination in musicians is scarce, and no study to date has examined pure tactile discrimination capabilities in musicians. A two-alternative forced-choice frequency discrimination task was used in this experiment. The task was inspired by musical production, and participants were asked to identify whether a frequency was the same as or different than a standard stimulus of 160 Hz in three conditions: auditory only, auditory-tactile only and tactile only. Three waveforms were used to replicate the variability of pitch that can be found in music. Stimuli were presented through headphones for auditory stimulation and a glove with haptic audio exciters for tactile stimulation. Results suggest that musicians have lower discrimination thresholds than non-musicians for auditory-only and auditory-tactile conditions for all waveforms. The results also revealed that musicians have lower discrimination thresholds than non-musicians in the tactile condition for sine and square waveforms. Taken together, these results support the hypothesis that musical training can lead to better unisensory tactile discrimination which is in itself a new and major finding.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Sharp</LastName><ForeName>Andréanne</ForeName><Initials>A</Initials><Identifier Source="ORCID">http://orcid.org/0000-0001-8483-6961</Identifier><AffiliationInfo><Affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada. andreanne.sharp@umontreal.ca.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Houde</LastName><ForeName>M S</ForeName><Initials>MS</Initials><AffiliationInfo><Affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Maheu</LastName><ForeName>M</ForeName><Initials>M</Initials><AffiliationInfo><Affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Ibrahim</LastName><ForeName>I</ForeName><Initials>I</Initials><AffiliationInfo><Affiliation>Department of Otolaryngology-Head and Neck Surgery, McGill University, Montréal, QC, Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Champoux</LastName><ForeName>F</ForeName><Initials>F</Initials><AffiliationInfo><Affiliation>École d'orthophonie et d'audiologie, Université de Montréal, Montréal, QC, Canada.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><GrantList CompleteYN="Y"><Grant><GrantID>RGPIN-2016-05211</GrantID><Agency>Natural Sciences and Engineering Research Council of Canada</Agency><Country></Country></Grant></GrantList><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2019</Year><Month>03</Month><Day>29</Day></ArticleDate></Article><MedlineJournalInfo><Country>Germany</Country><MedlineTA>Exp Brain Res</MedlineTA><NlmUniqueID>0043312</NlmUniqueID><ISSNLinking>0014-4819</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D000328" MajorTopicYN="N">Adult</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D001307" MajorTopicYN="N">Auditory Perception</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D001309" MajorTopicYN="N">Auditory Threshold</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="N">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D004192" MajorTopicYN="N">Discrimination, Psychological</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D005260" MajorTopicYN="N">Female</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008297" MajorTopicYN="N">Male</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008875" MajorTopicYN="N">Middle Aged</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009473" MajorTopicYN="N">Neuronal Plasticity</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D012684" MajorTopicYN="N">Sensory Thresholds</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D055698" MajorTopicYN="N">Touch Perception</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="Y">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D055815" MajorTopicYN="N">Young Adult</DescriptorName></MeshHeading></MeshHeadingList><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">Brain plasticity</Keyword><Keyword MajorTopicYN="N">Multisensory training</Keyword><Keyword MajorTopicYN="N">Music</Keyword><Keyword MajorTopicYN="N">Tactile</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="received"><Year>2019</Year><Month>01</Month><Day>03</Day></PubMedPubDate><PubMedPubDate PubStatus="accepted"><Year>2019</Year><Month>03</Month><Day>25</Day></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2019</Year><Month>3</Month><Day>31</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2019</Year><Month>12</Month><Day>18</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate 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Champoux</name><name sortKey="Houde, M S" sort="Houde, M S" uniqKey="Houde M" first="M S" last="Houde">M S Houde</name><name sortKey="Ibrahim, I" sort="Ibrahim, I" uniqKey="Ibrahim I" first="I" last="Ibrahim">I. Ibrahim</name><name sortKey="Maheu, M" sort="Maheu, M" uniqKey="Maheu M" first="M" last="Maheu">M. Maheu</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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